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IN THIS ISSUE

NEWS PAGE
Who's going to Venice, what is new?

From CIA.IS
CIA.IS DVD Archive Expands
Though ominously named, the archive has become a unique and diverse resource on Icelandic contemporary art.

Homesick:
Center for Icelandic Art in New Exhibition Project
Homesick is a project with three other partners in Turkey (Platform Garanti Contemporary Art Center), Israel (Center for Contemporary Art Tel Aviv) and Switzerland (venue to be decided).

Nominees for New Art Award
Three Women Nominated for High-Purse Award ...

Christian Schoen
Sigurður Guðjónsson: Dark Places
"Bleak", 2006: Two grotesque people in two different rooms are at the center of the grotesque situation.

Jon Proppe
A Quiet Corner in Reykjavík
An artist-run exhibition space in an old coner house in downtown Reykjavík was central to a generation of Icelandic artists and a stop for many promonent fluxus and performance artists in the late 1970s.

Jon Proppe
Steingrímur Eyfjörð
For thirty years, Steingrímur Eyfjörð has been a strong and often critical participant on the Icelandic art scene. Now he is represented in the Carnegie Art Show and is going to Venice next year ...

Jon Proppe
Environment and Art: An Interview with Patrick Huse
Since 1995, Norvegian Artist Patrick Huse has brough all five of his large-scale museum shows to Iceland: Iceland has also been an important subject in his exploration of the landscape and cultures of the Arcitc. Increasingly, his paitnings and photographs have a political edge to them ...

 

 

Christian Schoen

Sigurður Guðjónsson: Dark Places

The videos, photographs and installations by the young Icelandic artist Sigurður Guðjónsson (born 1975, lives in Reykjavik/Iceland) are atmospheric seductions. They guide the viewer into a mysterious world, to dark places full of mystical figures.


Guðjónsson's works seem to combine the old topos of his native country's Nordic natural mysticism with the morbid, sinister side of Vienna, the city where he studied for several years.

In his videos, the artist plays on the deliberately utilized cut and superimposing techniques to seize the viewer emotionally. But it is especially the equally important simultaneous interplay of film and sound elements that create an atmospheric arena.

While Guðjónsson's videos depict persons acting in specific sites, his works repudiate a linear narrative or unambiguous legibility. What remains are physically and emotionally experienceable fragments that are joined to form a cryptic visual and acoustic symphony. Attention is given to the grotesque actions of the players and the unnoticed bystander, the viewer, who seems to become a witness to mysterious rituals. The mystical, almost spiritual mood appeals in a non-verbal and non-illustrative manner to states of mind on a universally experienceable level.

Sigurður Guðjónsson conceived a new video for the Kunstverein Langenhagen (Germany) where he will open soon his solo show. "Bleak", 2006: Two grotesque people in two different rooms are at the center of the grotesque situation. The communication between them regulates itself entirely on the emotional level of the viewer. In "Bleak", Guðjónsson has largely omitted the transcendentalizing musical elements used in his most recent works. The sound consists almost entirely of material recorded while filming.

Once more, Guðjónsson refuses to present the view with a rational access. Seduced by a subtle ambiance, the viewer is left to confront his own emotional world.

www.this.is/sigurdur
www.galerieadler.com

Kunstverein Langenhagen
July 6 – September 25 2006
www.kunstverein-langenhagen.de/

 


LIST Icelandic Art News. Page last updated 8 June 2006. Texts and images copyright © by the authors. For inquiries and contact information see about us.

 


 

"... seem to combine the old topos of his native country's Nordic natural mysticism with the morbid, sinister side of Vienna ..."