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News

»» Twenty Iclandic Artists in New York
»» Toung Painters in Göteborg Konsthall
»» Magnús Árnason invited to LISTE8
»» The Center for Icelandic Art Provides Grants for Artists
»» CIA.IS – the Video Archive Keeps Expanding
»» Sequences 2008, Real-Time Art Festival Announced

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Features

SPECIAL SECTION
Reinventing Harbour Cities: An International Conference in Reykjavík, April–May 2008

Papers and interviews from the conference highlighting the issues of urban planning and public art in cities on the sea.

Trentino / Süd-Tyrol:
Icelanders at Manifesta 7
»» Margrét Blöndal
»» Ragnar Kjartansson
»» Libia Castro and Ólafur Ólafsson

Jón Proppé:
The Reykjavík Arts Festival 2008
For the second time, the festival is dedicated to the viual arts and opens to great acclaim. We have photographs of the

Sigrún Sigurđardóttir:
Icelandic Photography. Reflections on Mental Realism
The newly created Society of Icelandic Contemporary Photography aims to carve out a space for photography as an artistic form.

Christian Schoen:
Interview with Carolee Schneeman
"In 1964, Iceland completely changed my life ..."

Art as Opportunity

Yvonne P. Doderer, Stuttgart

Art is another field than urban planning or architecture. Art bears the potential of opening up other or new perspectives on how urban space can be developed or at first on how urban space can be discussed in terms of public issues of public interventions. And thus I think art is a much more open field for raising certain discussions than architecture or urban planning. Architecture is quite narrowed down or has the need to realise something in the first step—without the consciousness. So I think the artistic field opens up the possibility to think about how to discuss issues like what is public space? How might public space function?

Art is not outstanding from society. Art is always connected to society and its discourses. Thus it makes no sense to separate art from other issues like society or planning. So I think it is a very necessary approach to include artistic methodologies as early as possible into urban development processes. This additionally widens the planning field, because from my point of view the planning profession is following mostly the need of designing with having a reflexion about the needs and the own methodology in the beginning. And to quote Niklas Luhmann: The observer is already observed while observing in a certain way. This means that the planning field has the self-impression that they are the observers without realising that they are already observed. The planning field has to open up more for artistic questions in order to find answers on what is public space and what it might be used for.

 


LIST Icelandic Art News. Page last updated 29 May 2008. Texts and images copyright © 2008 by the authors. For inquiries and contact information see about us.

 

 

SPECIAL SECTION
Reinventing Harbour Cities


»» Urban Planning and Art in Public Space by Christian Schoen

»» Dead-End Street or Vibrant City Center? by Jóhannes Ţórđarson

»» Four Contradictory Attempts on Art in Public Space by Kristinn E. Hrafnsson

»» Surroundings interview with Vito Acconci

»» Shaping Public Space interview with Martin Biewenga

»» Urban Transformation interview with Christopher Marcinkoski

»» Taking the City’s Temperature interview with Louise Mielonen Grassov

»» Creating Urbanity Jürgen Bruns-Berentelg

»» The Expertise of the Public Ólafur Elíasson

»» Belief in the Public Space interview with the Free art collective

»» Art as Opportunity Yvonne P. Doderer

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